Suzy migrates to Berlin from Ohio in the hopes that she can perfect her dancing skills and finds that the school she enrolled in is a facade for something sinister …
Wait, didn’t we already cover this one? 😛
Join us as we compare and contrast the modern version of this film with its counterpart from the 1970s in our Critique Segment! From the visual, musical, and other stylistic elements, to the changes in the plot and characters, we (try to) cover all the bases 🙂
For our beloved Academic Segment, we talk about German Expressionist Dance and how Mary Wigman developed this new style as a way to rebel against the European ballet establishment in the 1900s.
Finally, we talk about this film’s versions of the Suspiria Coven and Helena Markos in our Know Thine Enemy Segment.
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